The cover of "Pretty", a memoir by KB Brookins. The cover features a portrait of KB, a Black trans person with their chest tattoo visible. Tattoo birds fly off their chest into a bright yellow background.

The cover of "Pretty", a memoir by KB Brookins published with Alfred A Knopf. The cover features a portrait of KB, a Black trans person with their chest tattoo visible. Tattoo birds fly off their chest into a bright yellow background.

Pretty: A Memoir

Release date: May 28, 2024

By prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

A May 2024 Texas Books Preview title

  • “Pretty is one of the most brilliantly constructed memoirs I’ve read. There is not one wasted paragraph or scene here. The language cradles but never ever coddles. Some art just makes you thankful. I am so thankful.” —Kiese Laymon, author of Heavy

    “This book blew me away. Seamlessly transitioning between poetry and prose, Pretty is as fearless, incisive, and brilliant as they come. It’s a gorgeous memoir that, despite pain and rejection, insists on hope, forgiveness, and Black trans joy. ‘You see gender, spinning and fusing into something freer?’ Brookins asks. Thanks to their life-changing book, I do, I really do. There’s no doubt about it: Brookins is the real deal.” —Marisa Crane, author of I Keep My Exoskeletons to Myself

    “This book, above all, offers a potent narrative of learning to live authentically, no matter the circumstances and challenges. Brookins relays their experiences and opinions with candor. . . . The most compelling threads of the text relate the author’s journey of self-actualization, from questioning ideas of gender to shedding shame. ‘My life’s work is to make Black people, queer people, and masculine people fall in love with who they are and shed the daily violence of betraying themselves and others,’ they write. This book is a powerful testament to that. An inspiring and deeply human work.” —Kirkus Reviews

    “Linguistically, Brookins pulls equally from playful internet slang and queer theory, often joining both syntaxes in the poems that punctuate each chapter. . . . Dazzling. . . . Brookins is a writer to watch.” —Publishers Weekly